“Do not be sad. Or think Adieu. Never Adieu. We will watch the sun set again - many times, and perhaps we'll see the Emerald Drop, the green flash that brings good fortune. And you must laugh and chatter as you used to do - telling me about the battle off the Saints or the picnic at Marie Galante - that famous picnic that turned into a fight. Or the pirates and what they did between voyages. For every voage might be their last. Sun and sangoree's a heady mixture. Then - the earthquake. Oh yes, people say that god was angry at the things they did, woke from his sleep, one breath and they were gone.”

“If she says goodbye perhaps adieu. Adieu - like those old time songs she sang. Always adieu (and all songs say it). If she too says it, or weeps, I'll take her in my arms, my lunatic. She's mad but mine, mine. What will I care for gods or devils or for Fate itself. If she smiles or weeps or both. For me.”

“But they never last, the golden days. And it can be sad, the sun in the afternoon, can't it? Yes, it can be sad, the afternoon sun, sad and frightening.”

“But why do you want to talk to me?' He is going to say: 'Because you look so kind,' or 'Because you look so beautiful and kind,' or, subtly, 'Because you look as if you'll understand....' He says: 'Because I think you won't betray me.' I had meant to get this mean to talk to me and tell me all about it, and then be so devastatingly English that perhaps I should manage to hurt him a little in return for all the many times I've been hurt.... 'Because I think you won't betray me, because I think you won't betray me....' Now it won't be so easy.”

“....one of those long, romantic novels, six hundred and fifty pages of small print, translated from French or German or Hungarian or something -- because few of the English ones have the exact feeling I mean. And you read one page of it or even one phrase of it, and then you gobble up all the rest and go about in a dream for weeks afterwards, for months afterwards -- perhaps all your life, who knows? -- surrounded by those six hundred and fifty pages, the houses, the streets, the snow, the river, the roses, the girls, the sun, the ladies' dresses and the gentlemen's voices, the old, wicked, hard-hearted women and the old, sad women, the waltz music -- everything. What is not there you put in afterwards, for it is alive, this book, and it grows in your head. 'The house I was living in when I read that book,' you think, or 'This colour reminds me of that book.”

“The last time you were happy about nothing; the first time you were afraid about nothing. Which came first?”

“I watched her die many times. In my way, not in hers. In sunlight, in shadow, by moonlight, by candlelight. In the long afternoons when the house was empty. Only the sun was there to keep us company. We shut him out. And why not? Very soon she was as eager for what's called loving as I was - more lost and drowned afterwards.”