“I don't know why it is that one kind of dark can be so different from another. Real dark is thicker and quieter, it fills up the space between your jacket and your heart. It gets in your eyes. When I have to be out late at night, it's not knives and kicks I'm afraid of, though there are plenty of those behind walls and hedges. I'm afraid of the Dark. You, who walk so cheerfully, whistling your way, stand still for five minutes. Stand still in the Dark in a field or down a track. It's then you know you're there on sufferance. The Dark only lets you take one step at a time. Step and the Dark closes round your back. In front, there is no space for you until you take it. Darkness is absolute. Walking in the Dark is like swimming underwater except you can't come up for air.”

“The phrase "in the dark," as I'm sure you know, can refer not only to one's shadowy surroundings, but also to the shadowy secrets of which one might be unaware. Every day, the sun goes down over all these secrets, and so everyone is in the dark in one way or another. If you are sunbathing in a park, for instance, but you do not know that a locked cabinet is buried fifty feet beneath your blanket, then you are in the dark even though you are not actually in the dark, whereas if you are on a midnight hike, knowing full well that several ballerinas are following close behind you, then you are not in the dark even if you are in fact in the dark. Of course, it is quite possible to be in the dark in the dark, as well as to be not in the dark not in the dark, but there are so many secrets in the world that it is likely that you are always in the dark about one thing or another, whether you are in the dark in the dark or in the dark not in the dark, although the sun can go down so quickly that you may be in the dark about being in the dark in the dark, only to look around and find yourself no longer in the dark about being in the dark in the dark, but in the dark in the dark nonetheless, not only because of the dark, but because of the ballerinas in the dark, who are not in the dark about the dark, but also not in the dark about the locked cabinet, and you may be in the dark about the ballerinas digging up the locked cabinet in the dark, even though you are no longer in the dark about being in the dark, and so you are in fact in the dark about being in the dark, even though you are not in the dark about being in the dark, and so you may fall into the hole that the ballerinas have dug, which is dark, in the dark, and in the park.”

“I learned in that moment that there are different darknesses. That there is ordinary darkness, like the night in the countryside, where, even on a night with no moon, as you stare things loom, take form; and there is another darkness, a darkness so profound you cannot begin to imagine it, cannot conjure it up in your mind. A darkness that blots out all you remember or hope for. A darkness that teaches that all that consoles you is false.”

“But death is stronger than that and when you cover your eyes you are the one who can't see the dark. The dark still sees you.”

“Oh, fine.' Rochelle sprinkled some water over one of the glowstones and laid the object down in the center of their tiny camp. 'I didn't know you were afraid of the dark.''It isn't the dark I'm afraid of. It's the things hiding in the dark that I can't see.' Laura closed her eyes. 'Like ninjas.”

“A gun is a terrible thing. It's a dark hole pointed at you, and that hole swallows up everything else in the world, your friends, your nerve, until there's nothing but you and what's waiting in that little round space of dark.”