“Reading things that are relevant to the facts of your life is of limited value. The facts are, after all, only the facts, and the yearning passionate part of you will not be met there. That is why reading ourselves as a fiction as well as fact is so liberating. The wider we read the freer we become.”

“I didn’t want to tell the story of myself, but someone I called myself. If you read yourself as fiction, it’s rather more liberating than reading yourself as fact.”

“Warning: Do not read this story right after eating. In fact, don't read it right before eating either. In fact, just to be safe, don't read this story if you're ever planning to eat again.”

“There is nothing in the world which an artist cannot recreate into something poetic, ennobling. And why do we read these things? They are not facts, they do not improve our business skills, our techniques in manufacturing goods, the management of a home. That is what most of you will be doing anyway. We read these because they teach us about people, we can see ourselves in them, in their problems. And by seeing ourselves in them, we clarify ourselves, we explain ourselves to ourselves, so we can live with ourselves…”

“My title “The Fabrication of Facts,” has the virtue not only of indicating pretty clearly what I am going to discuss but also of irritating those fundamentalists who know very well that facts are found not madder, that facts constitute the one and only real world, and that knowledge consists of believing the facts. These articles of faith so firmly possess most of us, they so bind and blind us, that “fabrication of fact” has a paradoxical sound. “Fabrication” has become a synonym for “falsehood” or “fiction” as contrasted with “truth” or “fact.” Of course, we must distinguish falsehood and fiction from truth and fact; but we cannot, I am sure, do it on ground that fiction is fabricated and fact found. - 91”

“Fiction must stick to facts, and the truer the facts the better the fiction — so we are told.”