“If I'm going to be working out here in a place that at least feels like the middle of nowhere, I'm going to need access to the outside world. It's important to have access. Solitude is one thing, but you could turn into the Unabomber if you don't have some connection to people.”

“It's only just beginning to occur to me that it's important to have something going on somewhere, at work or at home, otherwise you're just clinging on. [...] You need as much ballast as possible to stop you floating away; you need people around you, things going on, otherwise life is like some film where the money ran out, and there are no sets, or locations, or supporting actors, and it's just one guy on his own staring into the camera with nothing to do and nobody to speak to, and who'd believe in this character then? I've got to get more stuff, more clutter, more detail in here, because at the moment I'm in danger of falling off the edge.”

“Here you go, she said. I don't need it anymore. I'm very grateful. I think it may have saved my life, saved some other people's death.”

“In America access is always about architecture and never about human beings. Among Israelis and Palestinians, access was rarely about anything but people. While in the U.S. a wheelchair stands out as an explicitly separate experience from the mainstream, in the Israel and Arab worlds it is just another thing that can go wrong in a place where things go wrong all the time.”

“Do things that give you access to the world so that you can at least rule your world.”

“I eat kung pao chicken like it's going out of style, but I'm pretty sure I don't have an Asian cell in my body. I love Toni Morrison novels although I'm not black. I'm straight and I'm happily married. The reason I work here is because I think you deserve that, too.”