“Heartbreak is funny to everyone but the heartbroken.”

“He remained heartbroken, which meant one of two things: either his love was pure and true and earthshakingly significant; or he was addicted to feeling forlorn, he liked being heartbroken.”

“Everyone in the room was so spectral-looking that Madeleine’s natural healthiness seemed suspect, like a vote for Reagan.”

“Everyone struggles against despair, but it always wins in the end. It has to. It's the thing that lets us say goodbye.”

“The only way we know it's true is that we both dreamed it. That's what reality is. It's a dream everyone has together.”

“We Greeks are a moody people. Suicide makes sense to us. Putting up Christmas lights after your own daughter does it—that makes no sense. What my yia yia could never understand about America was why everyone pretended to be happy all the time.”

“And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...”