“She used a line from Trollope's Barchester Towers as an epigraph:"There is no happiness in love, except at the end of an English novel.”
“There is no happiness in love, except at the end of an English novel.”
“I used to think that those essentially happy and romantic novels that ended with a wedding were all wrong, that they had left out the most interesting part of the story.”
“Discussions of the effects of serial publication of Victorian novels on their authors and readers1 usually draw attention to the author's peculiar opportunities for cliff-hanging suspense, as, for instance, when Thackeray has Becky Sharp counter old Sir Pitt's marriage proposal at the end of Vanity Fair's fourth number with the revelationthat she is already married, and the reader must wait a month before the husband's identity is revealed. Or it may be pointed out how the author can modify his story in response to his readers' complaints or recommendations, as when Trollope records in hisAutobiography how he wrote Mrs Proudie out of the Barchester Chronicles after overhearing two clergymen in the Athenaeum complaining of his habit of reintroducing the same characters in his fiction.”
“It is natural and harmless in English to use a preposition to end a sentence with.”
“I felt like a Jane Austen heroine all of a sudden, confusedly looking on at all the people she loves, their myriad unpredictable couplings and uncouplings. There would be no marriages at the end of this Austen novel, though, no happy endings, no endings at all. Just jokes and friendships and romances and delicious declarations of independence.”