“She was a large, disordered woman, like a child's drawing that didn't stay within the lines.”

“It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, "Stay there. Don't move.”

“If you weren't a lucky child, you didn't know you weren't lucky until you got older. And then it was all you ever thought about.”

“The more she thought about it, the more Madeleine understood that extreme solitude didn't just describe the way she was feeling about Leonard. It explained how she'd always felt when she was in love. It explained what love was like and, just maybe, what was wrong with it.”

“She used a line from Trollope's Barchester Towers as an epigraph:"There is no happiness in love, except at the end of an English novel.”

“...that manic depression, far from being a liability was an advantage. It was a selected trait. If it wasn't selected for, then the "disorder" would have disappeared long ago, bred out of the population like anything else that didn't increase the odds of survival. The advantage was obvious. The advantage was the energy, the creativity, the feeling of genius, almost, that Leonard felt right now. There was no telling how many great historical figures had been manic-depressives, how many scientific and artistic breakthroughs had occurred to people during manic episodes.”

“At one point, a girl who looked to be in her early twenties, with a Joan of Arc haircut, passed right in front of the glass. When Mitchell looked at her, the girl did an amazing thing: she looked back. She met his gaze with frank sexual meaning. Not that she "wanted" to have sex with him, necessarily. Only that she was happy to acknowledge, on this late-summer evening, that he was a man and she a woman, and if he found her attractive, that was all right with her. No American girl had ever looked at Mitchell like that.Deanie was right: Europe was a nice spot.”