“There had never been a funeral in our town before, at least not during our lifetimes. The majority of dying had happened during the Second World War when we didn't exist and our fathers were impossibly skinny young men in black-and-white photographs—dads on jungle airstrips, dads with pimples and tattoos, dads with pinups, dads who wrote love letters to the girls who would become our mothers, dads inspired by K rations, loneliness and glandular riot in malarial air into poetic reveries that ceased entirely once they got back home.”
“But now, Mr. Bates didn't scream or try to get the truck's license plate, nor did Mrs. Bates, who had once wept when we set off firecrackers in her state-fair tulips - they said nothing, and our parents said nothing, so that we sensed how ancient they were, how accustomed to trauma, depressions, and wars. We realized that the version of the world that they rendered for us was not the world they really believed in, and that for all their caretaking and bitching about crabgrass they didn't give a damn about lawns.”
“It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.”
“Tessio Zizmo had been a virgin when she married Milton Stephanides at the age of 22. Their engagement,which coincided with the Second World War, had been a chaste affair. My mother was proud of the way she'd managed to simultaneously kindle and snuff my father's flame,keeping him at a low burn for the duration of a global cataclysm.... She didn't surrender until after Japan had.”
“We all received invitations, made by hand from construction paper, with balloons containing our names in Magic Marker. Our amazement at being formally invited to a house we had only visited in our bathroom fantasies was so great that we had to compare one another's invitations before we believed it. It was thrilling to know that the Lisbon girls knew our names, that their delicate vocal cords had pronounced their syllables, and that they meant something in their lives. They had had to labor over proper spellings and to check our addresses in the phone book or by the metal numbers nailed to the trees.”
“Dear Mom and Dad,I know you’re only trying to do what’s best for me, but I don’t think anyone knows for sure what’s best. I love you and don’t want to be a problem, so I’ve decided to go away. I know you’ll say I’m not a problem, but I know I am. If you want to know why I’m doing this, you should ask Dr. Luce, who is a big liar! I am not a girl. I’m a boy. That’s what I found out today. So I’m going where no one knows me. Everyone in Grosse Pointe will talk when they find out. Sorry I took your money, Dad, but I promise to pay you back someday, with interest.Please don’t worry about me. I will be ALL RIGHT!Despite it’s contents, I signed this declaration to my parents: “Callie.” It was the last time I was ever their daughter.”
“For our own part, we learned a great deal about the techniques of love, and because we didn't know the words to denote what we saw, we had to make up our own. That was why we spoke of "yodeling in the canyon" and "tying the tube," of "groaning in the pit," "slipping the turtle's head," and "chewing the stinkweed." Years later, when we lost our own virginities, we resorted in our panic to pantomiming Lux's gyrations on the roof so long ago; and even now, if we were to be honest with ourselves, we would have to admit that it is always that pale wraith we make love to, always her feet snagged in the gutter, always her single blooming hand steadying itself against the chimney, no matter what our present lovers' feet and hands are doing.”