“There's two kinds of women--those you write poems about and those you don't.”

“Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massiveinsect of glitter, a chandelier shining at the endof a long tunnel. Thirteen years ago, you hid the hurtin your voice under a blanket and said there’s two kindsof women—those you write poems aboutand those you don’t. It’s true. I never brought youa bouquet of sonnets, or served you haiku in bed.My idea of courtship was tapping Jane’s Addictionlyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I workedwithin the confines of my character, castas the bad boy in your life, the Magellanof your dark side. We don’t have a past so muchas a bunch of electricity and liquor, powernever put to good use. What we had togethermakes it sound like a virus, as if we caughtone another like colds, and desire was merelya symptom that could be treated with soupand lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immuneto your waterfall scent, still haven’t developedantibodies for your smile. I don’t know how longregret existed before humans stuck a word on it.I don’t know how many paper towels it would taketo wipe up the Pacific Ocean, or why the lightof a candle being blown out travels fasterthan the luminescence of one that’s just been lit, but I do know that all our huffing and puffinginto each other’s ears—as if the brain was a trickbirthday candle—didn’t make the silenceany easier to navigate. I’m sorry all the kissesI scrawled on your neck were writtenin disappearing ink. Sometimes I thought of youso hard one of your legs would pop outof my ear hole, and when I was sleeping, you’d pressyour face against the porthole of my submarine.I’m sorry this poem has taken thirteen yearsto reach you. I wish that just once, instead of skiddingoff the shoulder blade’s precipice and joyridingover flesh, we’d put our hands away like chocolateto be saved for later, and deciphered the calligraphyof each other’s eyelashes, translated a paragraphfrom the volumes of what couldn’t be said.”

“I realise there's something incredibly honest about trees in winter, how they're experts at letting things go.”

“I've been ignored by prettier women than you, but none who carried the heavy pitchers of silenceso far, without spilling a drop.”

“We live in a modern society. Husbands and wives don'tgrow on trees, like in the old days. So wheredoes one find love? When you're sixteen it's easy, like being unleashed with a credit cardin a department store of kisses. There's the first kiss.The sloppy kiss. The peck.The sympathy kiss. The backseat smooch. The weshouldn't be doing this kiss. The but your lipstaste so good kiss. The bury me in an avalanche of tingles kiss.The I wish you'd quit smoking kiss.The I accept your apology, but you make me really madsometimes kiss. The I knowyour tongue like the back of my hand kiss. As you getolder, kisses become scarce. You'll be drivinghome and see a damaged kiss on the side of the road, with its purple thumb out. If youwere younger, you'd pull over, slide open the mouth'sred door just to see how it fits. Oh wheredoes one find love? If you rub two glances, you get a smile.Rub two smiles, you get a warm feeling.Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss overand answer the door in your underwear. It'll get suspiciousand stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out ofyour body without saying good-bye, and you'll remember that kiss forever by all the little cuts it lefton the inside of your mouth. You mustnurture the kiss. Turn out the lights. Notice how itilluminates the room. Hold it to your chestand wonder if the sand inside hourglasses comes from aspecial beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneatha Babylonian olive tree in 1200 B.C.But one kiss levitates above all the others. Theintersection of function and desire. The I do kiss.The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.”

“Hey you, dragging the halo-how about a holiday in the islands of grief? Tongue is the word I wish to have with you.Your eyes are so blue they leak.Your legs are longer than a prisoner'slast night on death row.I'm filthier than the coal miner's bathtuband nastier than the breath of Charles Bukowski.You're a dirty little windshield.I'm standing behind you on the subway, hard as calculus. My breathbe sticking to your neck like graffiti.I'm sitting opposite you in the bar, waiting for you to uncross your boundaries.I want to rip off your logicand make passionate sense to you.I want to ride in the swing of your hips.My fingers will dig in you like quotation marks, blazing your limbs into parts of speech.But with me for a lover, you won't needcatastrophes. What attracted me in the first placewill ultimately make me resent you.I'll start telling you lies, and my lies will sparkle, become the bad stars you chart your life by.I'll stare at other women so blatantlyyou'll hear my eyes peeling, because sex with you is like Great Britain: cold, groggy, and a little uptight.Your bed is a big, soft calculatorwhere my problems multiply.Your brain is a garageI park my bullshit in, for free.You're not really my new girlfriend, just another flop sequel of the first one, who was based on the true story of my mother.You're so ugly I forgot how to spell.I'll cheat on you like a ninth grade math test, break your heart just for the sound it makes.You're the 'this' we need to put an end to.The more you apologize, the less I forgive you.So how about it?”

“If you heard your lover scream in the next roomand you ran in and saw his pinkie on the floor, in a small puddle of blood.You wouldn't rush to the pinkie and say, 'Darling, are you OK? 'No, you'd wrap your arms around his shoulders and worry about the pinkie later.The same holds true if you heard the scream, ran in and saw his hand or -god forbid- his whole arm.But suppose you hear your lover scream in the next room, and you run in and his head is on the floor next to his body.Which do you rush to and comfort first?”