“Beauty could be defined simply as 'that which pleases.' But there is another aspect to art, and that... is the sublime. Like the mushroom cloud of the atom bomb, or the vastness of space as projected to us by satellite... the greatness of the experience goes beyond your ethical and aesthetic judgment, cutting you free from the binding ego of yourself. With the diminishment of your ego, the less there is of you, the more you see the sublime.”

“If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.”

“[the abject] is simply a frontier, a repulsive gift that the Other, having become alter ego, drops so that the "I" does not disappear in it but finds, in that sublime alienation, a forfeited existence.”

“Fascism is fundamentally and at bottom an aesthetic conception, and . . . it is your function as creators of beautiful things to portray with the greatest efficacy the sublime beauty and inevitable reality of the Fascist ideal.”

“Knowledge from experience: the heart goes blind because the need is stronger than anything else. Your ego is blind, your id is eager. It will get to the point of smashing everything. When there is a danger from outside, you bolt, but when the danger comes from inside, how can you bolt? The danger from inside is that complicated thing, the love of the wolf, the complicity that attaches us to that which threatens us.”

“Yet again, the more you strive for some kind of perfection or mastery—inmorals, in art or in spirituality—the more you see that you are playing ararified and lofty form of the old ego-game, and that your attainment ofany height is apparent to yourself and to others only by contrast withsomeone else's depth or failure.”