“Art makes murder into the supreme image of Beauty and in doing so sets free the vengeful God. (referring to Jean Lorrain's LE VICE ERRANT)”

“In this image (watching sensual murder through a peephole) Lorrain embodies the criminal delight of decadent art. The watcher who records the crimes (both the artist and consumer of art) is constructed as marginal, powerless to act, and so exculpated from action, passive subject of a complex pleasure, condemning and yet enjoying suffering imposed on others, and condemning himself for his own enjoyment. In this masochistic celebration of disempowerment, the sharpest pleasure recorded is that of the death of some important part of humanity. The dignity of human life is the ultimate victim of Lorrain's art, thrown away on a welter of delighted self-disgust.”

“Different states of consciousness project different images of God–loving or vengeful or jealous, energetic or terrifying, and different images of God affect the nature and quality of our response to God. . . . The image or idea of God as wrathful and jealous will have a different effect than the image or the idea of God as loving. Similarly, whether God is regarded as male or female will have a significant impact on the culture. (29)”

“The supreme vice is shallowness.”

“No rational man could worship a God so simply vengeful”

“I set about seeking a thread, a theme, a style, in the realm of legend. Something that might allow me to give free rein to my juvenile sense of romanticism and the beautiful image.”