“Mr.Kline was standing his ground, his arms outstretched in front of a small group of kids. He was red faced an appeared sweaty or maybe just covered with tears. I ran to catch up with them.”

“he can see alice in wet leaves, first as kids, when they'd jump in them, then as teenagers, when she would lie on the cold ground and he'd cover her with red, orange, and yellow fallen leaves and he would wait for her, wait for her with his heart racing, hoping he hadn't covered her up so much she couldn't jump up, bringing them both to action. ”

“I slapped him hard across the face. He didn't react to it; he just closed his eyes, and leaned his head back against the headrest. Tears began to prick my eyes, and I did nothing to try and stop them. "I can't stand this," I said through the tears, "I can't stand what I've become.”

“Poetry is cathartic only for the unserious, for in front of the rush of expressive need stands the barrier of form, and when the hurdler's scissored legs and outstretched arms carry him over the bars, the limp in his life, the headache in his heart, the emptiness he's full of, are as absent as his street-shoes, which will pinch and scrape his feet in all the old leathery ways once the race is over and he has to walk through the front door of his future like a brushman with some feckless patter and a chintzy plastic prize.”

“From the pit of his stomach a violent spasm of nausea rose up and seized his throat. He ran to the bathroom, barely able to stand, knelt down in front of the toilet and started to vomit. He vomited the whiskey he'd just drunk, vomited what he'd eaten that day as well as what he'd eaten the day before, and the day before that, and he felt, with his sweaty head now entirely inside the toilet bowl and a sharp pain in his side, as if he were endlessly vomiting up the entire time of his life on earth, going all the way back to the pap he was given as a baby, and when, at last, he'd expelled his own mother's milk, he kept vomiting poison bitterness, bile, pure hatred.”

“I can't really believe that it's over. "I'll speak for her." Every face turns to where Sean Kendrick stands a little apart from the crowd, his arms crossed. "This island runs on courage, not blood," he says. His face is turned towards me, but his eyes are on Eaton and his groups. In the hush after he speaks, I can hear my heart thudding in my ears.”