“Any instructions?” Carpenter said. “Yeah,” Shane said. “Shoot anybody who looks at Agnes funny. And anybody else you don’t like. I’m getting tired of this shi*.” “Somebody needs a hug,” Carpenter said. “Humor,” Shane said. “Har.”

“Okay, Shane," Agnes said as Brenda's clock gonged midnight. "I got Joey in the kitchen, a cop in the front hall, a dead body in the basement, and you in my bedroom. Where do you want to start?”

“He picked up the biscuit box and said, "Come on, Marlene. Back into hiding in case somebody comes looking for you, although only God knows why anybody would.""Marlene?" Nell said."I'm not calling anything SugarPie," Riley said. "That's obscene.”

“I’m a feminist,” Quinn said. “We get irrational urges.”

“Comedy is hard. In many ways, it's like singing: If you have perfect pitch, it's much easier. But you can still go a long way toward mastering the rudiments if you must trust your voice. Most of the mistakes I've seen people make in trying to write funny is that they don't trust their own senses of humor. They don't think they're funny, and they set out to write funny the way they've read other people being funny with a grim determination that pretty much precludes any chance that anybody is going to have fun. Relax, listen to your characters, exploit their fears and flaws, and mine their situations for places in which they can use their own brands of humor.”

“Have you talked to North?" he said."Yes," she said. "I asked him to get us cable.""I wish you weren't talking to him.""I'd talk to Satan to get cable," Andie said.”

“Well, I know better what I don’t want. I don’t want somebody who’s always nagging me to be something I’m not. And I don’t want somebody who thinks she knows what’s best for me and who maneuvers around trying to get me to do things her way.” Kate frowned. “Nobody wants anyone like that. It’s like saying, ‘I don’t want someone who’ll poke me in the eye with a sharp stick.’ Forget what you don’t want. What do you want?”