“And somehow I had always resisted driving very slowly back and forth in front of his house. Willpower? No. I figured his front gate was equipped with security cameras and I would just be embarrassing myself. And this street was definitely not on the bus line.”

“She had already turned. She watched him in amazement as he made his way slowly across the lawn and into the house. Pandora stepped back for him, and we all watched in respectful silence as he sat down near the piano, his back to the front right leg of it, and his knees brought up and his head resting wearily on his folded arms. He closed his eyes."Sybelle," I asked, "would you play it for him? The Appassionata, again, if you would."And of course, she did.”

“I remembered standing in the middle of the street in front of The Crooked Bookshelf, filled with the certainty of a future. I had heard the wolves howling behind the house and remembered how glad I had been to be human.”

“He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.”

“His father had always said, Son, the most important thing in life is to make a contribution. Who would have thought Kittridge’s contribution would be video-blogging from the front lines of the apocalypse?”

“I found when I followed the driveway around to the back that behind its imposing front it was just another tract house, as if the architect had tried to combine a southern plantation mansion with the slave quarters.”