“Yes, I was good at reading people. I studied them so I could put them in my novels.”

“Since I was trying so hard to make books lead my life, I didn’t want to read them and then just put them back on the shelf and say, “good book,” as if I was patting a good dog. I wanted books to change me, and I wanted to write books that would change others.”

“I do like people to read the books twice, because I write my novels about ideas which concern me deeply and I think are important, and therefore I want people to take them seriously. And to read it twice of course is taking it seriously.”

“Siobhan said that when you are writing a book you have to include some descriptions of things. I said that I could take photographs and put them in the book. But she said the idea of a book was to describe things using words so that people could read them and make a picture in their own head.”

“And yes, I confess, when I looked at him, I thought of Heathcliff and Mr Rochester and Maxim de Winter... and how could I not, when I had been waiting for them to step out of the pages of the books I loved; when I knew them so well, read them inside out and into myself?”

“I loved them all the way one loves at any age -- if it's real at all -- obsessively, painfully, with wild exultation, with guilt, with conflict; I wrote poems to and about them, I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world -- and in a way I suppose they were.”