“Driving to pick up his son, Bennie alternated between the Sleepers and the Dead Kennedys, San Francisco bands he'd grown up with. He listened for muddiness, the sense of actual musicians playing actual instruments in an actual room. Nowadays the quality (if it existed at all) was usually an effect of analogue signaling rather than bona fide tape - everything was an effect in the bloodless constructions Bennie and his peers were churning out. He worked tirelessly, feverishly, to get things right, stay on top, make songs that people would love and buy and download as ring tones (and steal, of course) - above all, to satisfy the multinational crude-oil extractors he'd sold his label to five years ago. But Bennie knew that what he was bringing into the world was shit. Too clear, too clean. The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. An aesthetic holocaust!”

“The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh.”

“Danny had no idea what the thing was. All he knew was that he lived more or less in a constant state of expecting something any day, any hour, that would change everything, knock the world upside down and put Danny's whole life into perspective as a story of complete success, because every twist and turn and snag and fuckup would always have been leading up to this. Unexpected stuff could hit him like the thing at first: a girl he'd forgotten giving his number to suddenly calling up out of the blue, a friend with some genius plan for making money, better yet a person he'd never heard of who wanted to talk. Danny got an actual physical head rush from messages like these, but as soon as he called back and found out the details, the calls would turn out to just be about more projects, possibilities, schemes that boiled down to everything staying exactly like it was.”

“Too clear, too clean. The problem was precision, perfection;”

“Stu walked Bennie over to Chris in the chair and parted his hair to reveal some tan little creatures the size of poppy seeds moving around on his scalp. Bennie felt himself grow faint.'Lice' the barber whispered.'They get it at school'. 'But he goes to private school' Bernie had blurted.'In Crandale,New York!”

“Bennie has light brown skin and excellent eyes, and he irons his hair in a Mohawk as shiny black as a virgin record.”

“For years, he said, his life had felt to him like a kind of experiment. The question being, How long could he hold out before the whole thing came crashing down on his head? He'd pictured himself looking back on the present day or week from his jail cell, or while contemplating the grass outside the asylum where surely he was headed. But rather than defeating him, these thoughts had actually fueled Wolf with determination. Fuck it, he'd think, if he had to go down, he sure as hell wasn't going without a fight.”