“Stu walked Bennie over to Chris in the chair and parted his hair to reveal some tan little creatures the size of poppy seeds moving around on his scalp. Bennie felt himself grow faint.'Lice' the barber whispered.'They get it at school'. 'But he goes to private school' Bernie had blurted.'In Crandale,New York!”

“Bennie has light brown skin and excellent eyes, and he irons his hair in a Mohawk as shiny black as a virgin record.”

“They resumed walking. Alex felt an ache in his eyes and throat. "I don't know what happened to me," he said, shaking his head. "I honestly don't."Bennie glanced at him, a middle-aged man with chaotic silver hair and thoughtful eyes. "You grew up, Alex," he said, "just like the rest of us.”

“I looked down at the city. Its extravagance felt wasteful, like gushing oil or some other precious thing Bennie was hoarding for himself, using it up so no one else could get any. I thought: if I had a view like this to look down on every day, I would have the energy and inspiration to conquer the world. The trouble is, when you most need such a view, no one gives it to you.”

“He remembered his mentor, Lou Kline, telling him in the nineties that rock and roll had peaked at Monterey Pop. They'd been in Lou's house in LA with its waterfalls, the pretty girls Lou always had, his car collection out front, and Bennie had looked into his idol's famous face and thought, You're finished. Nostalgia was the end - everyone knew that.”

“Driving to pick up his son, Bennie alternated between the Sleepers and the Dead Kennedys, San Francisco bands he'd grown up with. He listened for muddiness, the sense of actual musicians playing actual instruments in an actual room. Nowadays the quality (if it existed at all) was usually an effect of analogue signaling rather than bona fide tape - everything was an effect in the bloodless constructions Bennie and his peers were churning out. He worked tirelessly, feverishly, to get things right, stay on top, make songs that people would love and buy and download as ring tones (and steal, of course) - above all, to satisfy the multinational crude-oil extractors he'd sold his label to five years ago. But Bennie knew that what he was bringing into the world was shit. Too clear, too clean. The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. An aesthetic holocaust!”

“Das mine!' protested Ava, Bennie's daughter, affirming Alex's recent theory that language acquisition involved a phase of speaking German. She snatched a plastic skillet away from his own daughter, Cara-Ann, who lurched after it, roaring, 'Mine pot! Mine pot!”