“This is the music business. 'Five years is five hundred years' - your words.”

“Driving to pick up his son, Bennie alternated between the Sleepers and the Dead Kennedys, San Francisco bands he'd grown up with. He listened for muddiness, the sense of actual musicians playing actual instruments in an actual room. Nowadays the quality (if it existed at all) was usually an effect of analogue signaling rather than bona fide tape - everything was an effect in the bloodless constructions Bennie and his peers were churning out. He worked tirelessly, feverishly, to get things right, stay on top, make songs that people would love and buy and download as ring tones (and steal, of course) - above all, to satisfy the multinational crude-oil extractors he'd sold his label to five years ago. But Bennie knew that what he was bringing into the world was shit. Too clear, too clean. The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. An aesthetic holocaust!”

“And Phoebe saw, with a dreadful clarity, that in the end she'd failed to interest her mother enough, failed to hold her attention. Some flaw within herself made her extraneous to everyone. She stopped on a corner overwhelmed by a terrible pain. It was her fault, her own fault. She'd done everything wrong.Wait, she thought, but wait - walking again, faster now - maybe she'd misunderstood, maybe the deal with her mother had been that they each would live a secret life and not tell the other, but Phoebe hadn't realized - she'd failed to live the secret life and now her life was only this, a hundred empty years stretched uselessly behind her.”

“And then I notice the music flooding out of every part of the apartment at once — the couch, the walls, even the floor — and I know Bennies alone in Lou’s studio, pouring music down around us. A minute ago it was “Don’t Let Me Down”. Then it was Blondie’s “Heart of Glass”. Now it’s Iggy Pop’s “The Passenger”. Listening, I think, You will never know how much I understand you.”

“I go away for a few years and the whole fucking world is upside down Jules said angrily. Buildings are missing. You get strip-searched every time you go to someone's office. Everybody sounds stoned because they're emailing people the whole time they're talking to you. Tom and Nicole are with different people...And now my rock-and-roll sister and her husband are hanging around with Republicans. What the fuck - Jules Jones”

“A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.”

“Here was the bottom line: if we human beings are information processing machines, reading X's and O's and translating that information into what people oh so breathlessly call "experience," and if I had access to all that same information via cable TV and any number of magazines that I browsed through at Hudson News for four- and five- hour stretches on my free days (my record was eight hours, including the half hour I spent manning the register during the lunch break of one of the younger employees, who though I worked there)- if I had not only the information but the artisty to shape that information using the computer inside my brain (real computers scared me; if you can find Them, then They can find you, and I didn't want to be found), then, technically speaking, was I not having all of the same experiences those other people were having?”