“At that moment a solitary violin struck up. But the music was not dance music; it was more like a song - a solemn, sweet song. (I know now that it was Beethoven's Romance in F.) I listened, and suddenly it was as if the fog that surrounded me had been penetrated, as if I were being spoken to.”

“I did not have an opportunity to speak privately with Peter until just as he was leaving, when he handed me one of the Burns song-sheets and (with a most earnest look) told me to read it before I went to bed.The song was 'My Love is Like a Red, Red Rose,' but it was not until was up in my bedchamber that I saw he had written on the inside page: 'My mother would be honoured if you visited her after church tomorrow.”

“I felt my mouth go dry, my throat constrict. What possible interpretation could Peter place on those words, other than that they were about him? - that the entire song was about him?”

“I had not the least idea of a gamekeeper's occupation being so dangerous - there had never been such a person employed on the Longbourn estate - and just as I had spent half the previous night wondering about Peter, I spent half the next one worrying about him.”

“In suiting the action to the words, however, I perceived that the stars were all wrong.That was my undoing. I had looked up unthinkingly, anticipating the familiar, and, finding it gone, began to cry like a baby. Whereupon Peter stopped the gig and took me in his arms, kissing me so that my face was soon sore both from kissing and crying.”

“Hello, Mary.'It was like hearing a note of divine calm after a dissonant passage of music. My confusion died away.”

“Before I could reply, he had picked me up, literally swept me off my feet, and kissed me. And afterwards, when I tried to speak, he silenced me in much the same manner. It was a shock (but not at all distasteful) to be so caught up. Later - when he at last set me down - he handled me more gently. He took of my glasses and told me that he loved me.”