“There's a gang of boys on bikes blocking the road ahead. They've got their hoods up, cigarettes shielded. The sky's a really strange colour and there's hardly anyone else about. I slow right down."What shall I do?""Reverse," Zoey says. "They're not going to move."I wind down the window. "Oi!" I yell "Move your arses!"They turn languid, shift lazily to the edge of the road and grin as I blow kisses at them.Zoey looks stunned, "What's got into you?""Nothing- I just haven't learned reversing yet.”
“But nothing on this earth is guaranteed, when you get right down to it, you know? I've been thinking about that. About how your kids aren't really YOURS, they're just these people that you try to keep an eye on, and hope you'll all grow up someday to like each other and still be in one piece. What I mean is, everything you get is really just on loan. Does that make sense?""Sure," I said. "Like library books. Sooner or later they've all got to go back into the nightdrop.”
“With the palms zipping past and the big sun burning down on the road ahead, I had a flash of something I hadn’t felt since my first months in Europe—a mixture of ignorance and a loose, “what the hell” kind of confidence that comes on a man when the wind picks up and he begins to move in a hard straight line toward an unknown horizon.”
“I figure when you come to a crossroads, you have a choice: right turn, left turn, straight ahead. Or you can just pull over to the side of the road and call it quits. But if you've got a good stretch of road up ahead and someone fun to travel it with, why stay stuck in the galdern ditch?”
“I Go Down To The ShoreI go down to the shore in the morningand depending on the hour the wavesare rolling in or moving out,and I say, oh, I am miserable,what shall—what should I do? And the sea saysin its lovely voice:Excuse me, I have work to do.”
“I saw my town as if I had just arrived. It was as if I was waking up. You see houses and buildings every day, and you walk by them on your way to something else, and you hardly see. You hardly notice they're even there, mostly because there's something else going on right in front of your face, But when the town itself becomes the thing that is going on right in front of your face, it all changes, and you're not just looking at a house, but at what's happened in that house before you were born.”