“... instead of trying to grapple with the implications of the story of empire, the British seem to have decided just to ignore it... the most corrosive part of this amnesia is a sense that because the nation is not what it was, it can never be anything again.”
In this quote, Jeremy Paxman critiques the British national attitude toward its imperial past. He suggests that rather than confronting the complex and often uncomfortable truths about the British Empire, the nation has chosen a path of collective forgetting or denial. This "amnesia" prevents an honest reckoning with history, which Paxman sees as deeply damaging ("corrosive"). The implication is that this refusal to engage with the past leads to a pessimistic national identity—one that views Britain's decline as irreversible, fostering a defeatist mindset that "because the nation is not what it was, it can never be anything again." Paxman is urging for a more mature and reflective engagement with history as a means of reclaiming a constructive sense of identity and possibility.
“Racing cars which have been converted for road use never really work. It's like making a hard core adult film, and then editing it so that it can be shown in British hotels. You'd just end up with a sort of half hour close up of some bloke's sweaty face.”
“We are what we are and nothing we can do will change the way we feel.”
“It's like in someways I've been trying to create without first destroying. Is such a concept possible? For too long I have feared myself, fear what I can create. In essence, I have feared creating myself.”
“Someone once told me that life changes, and you give up old dreams so that new ones can take their place. I held on to this dream [...] I kept it safe and close to my heart. I could never let go of it, because a part of me always knew you’d come back for it one day.”
“In the mind of all, fiction, in the logical sense, has been the coin of necessity;—in that of poets of amusement—in that of the priest and the lawyer of mischievous immorality in the shape of mischievous ambition,—and too often both priest and lawyer have framed or made in part this instrument.”
“The British version of 'Shit My Dad Says' is really entertaining.”