“I also think pronunciation of a foreign tongue could be better taught than by demanding from the pupil those internal acrobatic feats that are generally impossible and always useless. This is the sort of instruction one receives: 'Press your tonsils against the underside of your larynx. Then with the convex part of the septum curved upwards so as almost but not quite to touch the uvula try with the tip of your tongue to reach your thyroid. Take a deep breath and compress your glottis. Now without opening your lips say "Garoo".' And when you have done it they are not satisfied.”

“I need to keep sharp. But when you're this damned close to me, all I think about is you. I think about your mouth, and I think about your breasts, and I think about your pink tongue and your legs wrapped around me. I think about touching you and you touching me--and then I look at you and you're giving me that look--yes, that one, just there, as if you want me to kiss you--please stop--" He exhaled on a hiss, tipping his head back against the wood and pressing two fingers to the bridge of his nose.”

“Boy you watch your tongue with me. Or I'll stick my foot so far up your ass the next time you go to the doctor he'll ask you how you got those boot tracks on your tonsils.”

“Someone asked me what home was, and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your rib cage.”

“The word itself creates an empty sensation. Try saying it now. "Why?" Notice how your tongue touches nothing when you form the word with your mouth. Feel the gap, the space inside your mouth, that it creates. The air. It is a place that needs filling. It is missing an answer.”

“Stop.Breathe those useless breaths. Drop this piece of life you’re holding to your lips. Where are you? How long have you been here? Stop now. You have to stop.Squeeze shut your stinging eyes, and take another bite.”