“It was a lovely landscape. It was idyllic, poetical, and it inspired me. I felt good and noble. I felt I didn't want to be sinful and wicked anymore. I would come and live here, and never do any more wrong, and lead a blameless, beautiful life, and have silver hair when I got old, and all that sort of thing.”

“I loved them, and would always love them. But there was no place where they could fit anymore, so I had nowhere to put all the things I felt. I didn't know what to do with them, and they didn't know what to do with me, and isn't that just like life?”

“I didn't have any confidence in my beauty when I was young. I felt like a character actress, and I still do.”

“I have felt that some sort of awful shame is attached to my name and that I have somehow brought this shame along from somewhere I have never been, and that I have carried this sin as my sin even though I have never committed it; this sin pursues me all my life, which life is undoubtedly not my own even thought I live it , I suffer from it die of it.”

“I walked around Soho's street for over an hour, running into familiar faces but never once stopping to chat. It was then that I felt something discomforting and comforting all at once. I didn't want to be here, in this city, anymore.”

“I felt suddenly that 'this sort of thing' would kill me. The definition of the cause was vague, but the thought itself was no mere morbid artificiality of sentiment but a genuine conviction. 'That sort of thing' was what I would have to die from. It wouldn't be from the innumerable doubts. Any sort of certitude would be also deadly. It wouldn't be from a stab—a kiss would kill me as surely. It would not be from a frown or from any particular word or any particular act—but from having to bear them all, together and in succession—from having to live with 'that sort of thing.' About the time I finished with my neck-tie I had done with life too.”