“In some odd gush of patriotism, my mother had once vomited on the Liberty Bell, the Statue of Liberty, and a bust of Benjamin Franklin in a single summer, aborting our vacation and causing my father to swear off historical sites until the day he died.”

“Women in movies from Hollywood's golden era dressed the way my mother did now. My entire childhood, she'd shown up at PTA meeting in bust-hugging sequins, the sight of which gave my father complicated facial twitches. She was flamboyant, really, in no other way. There was nothing Auntie Mame about her. Unless Auntie Mame had a penchant for public collapse.”

“I wasn't sad after my father kissed the streetcar. If anything, it was a relief. Much as I missed him, his dying gave me an excuse to feel the way I already felt. Which was the way I felt right now, under the laundry room fluorescents: hollow, pissed off, wanting to be wherever I wasn't. Until I got there. Then I wanted to be somewhere else.”

“If I closed my eyes, I could almost count those soft hairs on the back of her neck. One day I'd even leaned forward, pretending to drop my pencil, and inhaled her until the top of my head started to steam. A scent of butterscotch wafted off of her, and it was all I could do not to plunge my face into her shag.”

“From diapers on, I felt like there was something not good about me, but it was invisible to everybody but my mother. And whenever she looked at me, she had to let me know that she knew. That was her mission in life.”

“Everything about my mother was a source of prepubescent agony. On the low end of the Mortification Scale there was her name: Floncey.”

“I was too busy destroying my life to bother with a minor detail like contractual obligation. I had veins to blow. A child to ignore. Friends to rip off. An apartment I hated on sight to pay for and move into.”