“Women in movies from Hollywood's golden era dressed the way my mother did now. My entire childhood, she'd shown up at PTA meeting in bust-hugging sequins, the sight of which gave my father complicated facial twitches. She was flamboyant, really, in no other way. There was nothing Auntie Mame about her. Unless Auntie Mame had a penchant for public collapse.”

“In some odd gush of patriotism, my mother had once vomited on the Liberty Bell, the Statue of Liberty, and a bust of Benjamin Franklin in a single summer, aborting our vacation and causing my father to swear off historical sites until the day he died.”

“From diapers on, I felt like there was something not good about me, but it was invisible to everybody but my mother. And whenever she looked at me, she had to let me know that she knew. That was her mission in life.”

“I wasn't sad after my father kissed the streetcar. If anything, it was a relief. Much as I missed him, his dying gave me an excuse to feel the way I already felt. Which was the way I felt right now, under the laundry room fluorescents: hollow, pissed off, wanting to be wherever I wasn't. Until I got there. Then I wanted to be somewhere else.”

“This was, I sometimes thought, the last gift my father gave me. And the best: His death stood out as the supreme-o excuse for fucking up, for being a successful fuck-up.”

“This is Hollywood's dirty little secret. It's not about making movies. Are you kidding? Forget that shit about "the Dream Factory." It's about manufacturing frustration.”

“Everything about my mother was a source of prepubescent agony. On the low end of the Mortification Scale there was her name: Floncey.”