“There's a place beyond words where experience first occurs to which I always want to return. I suspect that whenever I articulate my thoughts or translate my impulses into words, I am betraying the real thoughts and impulses which remain hidden.”

“Whenever I was asked what I wanted my first impulse was to answer "Nothing." The thought went through my mind that it didn't make any difference, that nothing was going to make me happy.”

“She opened her mouth but did not immediately speak, and I felt, simultaneously, the impulse to coax the words from her and the impulse to suppress them. I always thought I wanted to know a secret, or I wanted an event to unfold – I wanted my life to start – but in those rare moments when it seemed like something might actually change, panic shot through me.”

“Although the constellations in which I have found myself - and naturally also the periods of life and their different influences - have led to changes and development in the accents of my thought, my basic impulse, precisely during the Council, was always to free up the authentic kernel of the faith from encrustations and to give this kernel strength and dynamism. This impulse is the constant of my life ... what's important to me is that I have never deviated from this constant, which from my childhood has molded my life, and that I have remained true to it as the basic direction of my life.”

“Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothetical perfect human being.Impersonal emotion! And what - I thought - do I mean by that? Surely I mean: That is not Art, which, while I am contemplating it, inspires me with any active or direct impulse; that is Art, when, for however brief a moment, it replaces within me interest in myself by interest in itself. For, let me suppose myself in the presence of a carved marble bath. If my thoughts be: 'What could I buy that for?' Impulse of acquisition; or: 'From what quarry did it come?' Impulse of inquiry; or: 'Which would be the right end for my head?' Mixed impulse of inquiry and acquisition - I am at that moment insensible to it as a work of Art. But, if I stand before it vibrating at sight of its colour and forms, if ever so little and for ever so short a time, unhaunted by any definite practical thought or impulse - to that extent and for that moment it has stolen me away out of myself and put itself there instead; has linked me to the universal by making me forget the individual in me. And for that moment, and only while that moment lasts, it is to me a work of Art. The word 'impersonal,' then, is but used in this my definition to signify momentary forgetfulness of one's own personality and its active wants.”

“I shall not speak of my sufferings. Cowering deep down among them I feel nothing. It is there I die, unbeknown to my stupid flesh. That which is seen, that which cries and writhes, my witless remains. Somewhere in the turmoil thought struggles on, it too wide of the mark. It too seeks me, as it always has, where I am not to be found.”