“(…) met the owner of this cozy book-and-candle Apt. G, a tall, leggy, striking girl named Bea or maybe just the letter B or maybe the insect Bee, not sure, her long blond hair pulled in a ponytail, her no-doubt banging body effortlessly buried beneath a pile of tights and sweaters and scarves – she is a walking coat rack – and as we shook hands, Bea fixed me with the most alarming blue-eyed stare of my life, the kind of stare in which you think some potent subliminal message is being passed along (Run away with me or maybe just Run away), (…)”

“Alarmingly, though, on top of the bookcase there is also a family portrait of Bea with two just-as-striking blond-and-blue-eyed sisters and a pair of handsome proud Nordic parents, whose stares make me aware of the vast age difference between Bea and me, and I am profoundly ashamed to be here buying drugs in this girl's apartment. What I'd really like to do, I think, is lie down on this couch and take a nap.”

“Yes, what is it like? Certainly not like she dreamed. But maybe that's okay. We want what we want. At home, she works herself into a frenzy worrying about what she isn't--and perhaps loses track of just where she is.”

“And Pasquale forced himself to look away from her then. It was like prying a magnet off steel, but he did it: he turned forward in the boat, closed his eyes, still seeing her standing there in his memory. He shook with the strain of not looking back until they rounded the breakwater into the open sea and Pasquale exhaled, his head falling to his chest. "You are a strange young man," Tomasso the Communist said.”

“Maybe every couple lived in the gaps between conversations, unable to say the important things for fear they had already been said, or couldn't be said; maybe every relationship started over every time two people came together.”

“The movie I was working on, "Cleopatra", it's about how destructive a force love can be. But maybe that's what every story is about.”

“He wondered if the German girl ever knew that someone had loved her so much that he painted her twice on the cold cement wall of a machine-gun pillbox.”