“(…) my money guy Richard is going without a tie now, like a politician who wants to appeal to the suffering common man (or perhaps every morning his firm takes the ties and shoelaces away from the brokers and financial planners to keep them from offing themselves)”
“„Listen,” Richard says, „unless you're about to inherit some money, what we're talking about here is irreversible, fatal. You have fiscal Ebola, Matt. You are bleeding out through your nose and your mouth and your eye sockets, from your financial asshole.” See! Fiscal Ebola? My financial asshole is bleeding? This was exactly why I started poetfolio.com; there are money poets everywhere.”
“I guess I forgot we were going out tonight.""We always go out on Fridays.""It's Thursday, Alvis.""You are so tied to routine.”
“I don't know what I expected – no maybe I do, Al Pacino from Scarface- but this drug dealer is more like Al Pacino at the beginning of The Godfather reasonably bemused, untouched by his criminal world, sitting with Diane Keaton whispering about Luca Brazzi, not yet asleep with the fishes, or like Al Pacino from Glengarry Glen Ross, although actually, now that I think about it, he's not like Al Pacino at all but more like Kevin Spacey from that film, and who's ever been afraid of Kevin Spacey?”
“And Pasquale forced himself to look away from her then. It was like prying a magnet off steel, but he did it: he turned forward in the boat, closed his eyes, still seeing her standing there in his memory. He shook with the strain of not looking back until they rounded the breakwater into the open sea and Pasquale exhaled, his head falling to his chest. "You are a strange young man," Tomasso the Communist said.”
“He wished he could reassure his mother: a man wants many things in life, but when one of them is also the right thing, he would be a fool not to choose it.”
“Stories are bulls. Writers come of age full of vigor, and they feel the need to drive the old stories from the herd. One bull rules the herd awhile but then he loses his vigor and the young bulls take over.Stories are nations, empires. They can last as long as ancient Rome or as short as the Third Reich. Story-nations rise and decline. Governments change, trends rise, and they go on conquering their neighbors. Stories are people. I'm a story, you're a story . . . your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for a while, we're less alone.”