“The old man began to sing. His voice was very lovely and obviously a part of something that the world had disposed of in its haste, evidence of a grander, kinder past.”

“The old man sang for a while, and Mora felt in her head the beginning of a long siege. A wilderness had crept up around a walled town, and the darkness of old woods and far-off places began to grow then, even within sight of where men walked together. By this she meant in her heart that all the useless things one remembers well just before waking and forgets just after were in fact very important and perhaps all that stood now between herself and oblivion.”

“…In this way that he sought to control the very passage of his life, deftly and without forethought, yet precisely and with enormous care. Part of it was to allow what was enormous, what was profound, without limiting it.”

“First, he says, you have to go out into the world. This is not a simple matter of going outside one's door. No, that is simply going out. That's what one does when one is on the way to the store to buy a loaf of bread, some cheese, and a bottle of wine. When one goes out into the world, one is shedding preconceptions of past paths and ideas of past paths, and trying to move freely through an unsubstantiated and new geography.”

“The old man took out an extraordinarily beautiful and elegant handkerchief and gave it to her to dry her tears. It was the sort of handkerchief that one might be content to be judged by if it was all that remained of one after one's death.”

“In a long life, said many an old man, this is but one more thing. Yet there were others who were young and knew nothing about the helplessness of life's condition. Did they glow with light? They did, but of course, it could not be seen. And all the while, the grinding of bones like machinery, and the light step of tightrope walkers out beyond the windows.”

“We tire differently if we love or love not.”