“When I finally got tired of arguing with her and decided to write a novel as if I was some kind of formulaic, genre writing drone, just to prove to her how awful it would be, I wrote the first book of the Dresden Files.”

“Hooray! I finally finished making a new book cover. Now I just need to write the book. The cover is the image of a man hanging, so perhaps I’ll write a romance novel.”

“You're never confident. You go in fear and trembling every day. It would be awfully nice to think that you know how to write a novel. But what you know is the novel you just wrote. You don't have the slightest notion how to write the one you're going to do next.”

“I never used an outline until I started "The Bourne Legacy" project for which I was required to write an outline. To be honest, I thought I'd hate the idea, assuming that if I'd thought of all the ideas at the outset I'd have to incentive to actually write the book, because for me part of the joy of writing are the surprises you come upon as the book takes shape. But something curious and exciting happened. As I wrote the outline, some sections would be very detailed, others quite sketchy, so that whole portions of the book would be covered by one line, such as "Bourne is chased by Khan through Budapest," which when I wrote the novel turned out to be 40-50 pages! Now I'll never write a novel without first doing an outline. Looking back on it, I used to get bogged down in extraneous characters and situations, especially during the first 100 pages (which I find the most difficult to write) that I would later have to scrap, wasting time and energy, and frustrating me. Now that never happens.”

“Then I decided I would spend the summer writing a novel. That would fix a lot of people. ”

“It was terrifying, liberating, and risky. But one day I woke up and decided to try it." (On writing her first novel, "Miss Dreamsville and the Collier County Women's Literary Society")”