“First World countries may have great infrastructure, material comfort and modernity, but these cannot compare with the way the homeland speaks to a Filipino’s heart. There may be potholes in the street where I live but they ’speak’ to me in a way that a flawless highway in a developed foreign country cannot. I may be upset by the potholes, but the feeling is a familiar one, and it is easier to endure than alienation in a foreign land. The things that upset me about the country ’speak’ to me in that same familiar language. In fact, it is so familiar that my sense of humor can run circles around the very things I complain about. But that is precisely the problem: because these have become too familiar, I am no longer moved by them - at least not enough to be able to change things. Indeed, they have become ‘my’ potholes. Life in the Philippines may be hell at times, but it remains our home.”

“...for reading, once begun, quickly becomes home and circle and court and family, and indeed, without narrative, I felt exiled from my own country. By the transport of books, that which is most foreign becomes one's familiar walks and avenues; while that which is most familiar is removed to delightful strangeness; and unmoving, one travels infinite causeways, immobile and thus unfettered.”

“For now, I just want things all safe and familiar. My life may not be perfect, but it is what I have known.”

“The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never. ”

“Mom says,'What are you going to do when it's time to go to college?' I choose not to think about that yet. That is years away. For now, I just watn things all safe and familiar. My life may not be perfect, but it is what I have known.~pg 16; Hattie on change”

“But, you see, what I like about you is not that you feel foreign. And I don't think you ever did feel entirely foreign. But I like the fact that something about you still resists, refuses to become familiar, remains invincibly foreign. And it means that when I'm with you, I'm always rubbing up against a foreign element, something mysterious, irreducible, ever present, and full of happiness…It makes the way you walk and some of the things you do feel foreign to me for a moment. Your voice, on the end of the phone, from time to time: foreign. Your perfume, its vetiver fragrance, your own delicate smell: both foreign. Your subtly sinuous thought processes are so foreign to my own meanderings, and yet clearer and sharper. Of course you are not a foreigner, but how I value this foreignness in you. Perhaps keeping that foreign element is the secret.”