“Flight is many things. Something clean and swift, like a bird skimming across the sky. Or something filthy and crawling; a series of crablike movements through figurative and literal slime, a process of creeping ahead, jumping sideways, running backward. It is sleeping in fields and river bottoms. It is bellying for miles along an irrigation ditch. It is back roads, spur railroad lines, the tailgate of a wildcat truck, a stolen car and a dead couple in lovers' lane. It is food pilfered from freight cars, garments taken from clotheslines; robbery and murder, sweat and blood. The complex made simple by the alchemy of necessity”
“Then he laughed and she laughed. And quivering with the movement of the train, the dead man seemed to laugh too.”
“The land, now, well I'll tell you how I feel about that. It's done a good job, as good as it was able to, anyway, and it's got a right to look tired. It'd be pretty upsetting if it looked any other way. Yes, and the hardness is all right, too. It's been through something pretty hard, and some of that hardness was bound to rub off. And sometimes a frown sets a lot better with you than a smile. Something that's taken a beating, you don't want to see it laugh. And just because it's stopped laughing doesn't mean it'll never laugh again.”
“I looked at her, with her hair spilled out on the pillows and the warmth of her body warming mine. And I thought, god-dang, if this ain't a heck of a way to be in bed with a pretty woman. The two of you arguing about murder, and threatening each other, when you're supposed to be in love and you could be doing something pretty nice. And then I thought, well, maybe it ain't so strange after all. Maybe it's like this with most people, everyone doing pretty much the same thing except in a different way. And all the time they're holding heaven in their hands.”
“Rothman gave me another sharp look, and then he looked down at his desk. 'Lou' he said softly, 'do you know how many days a year an ironworker works? Do you know what his life expectancy is? Did you ever see an old ironworker? Did you ever stop to figure that there's all kinds of dying, but only one way of being dead?”
“You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.”
“You’ve got no time at all, but it seems like you’ve got forever. You’ve got nothing to do, but it seems like you’ve got everything.You make coffee and smoke a few cigarettes: and the hands of the clock have gone crazy on you. They haven’t moved hardly, they’ve hardly budged out of the place you last saw them, but they’ve measured off a half? two-thirds? of your life. You’ve got forever, but that’s no time at all.You’ve got forever; and somehow you can’t do much with it. You’ve got forever; and it’s a mile wide and an inch deep and full of alligators.You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.”