“Strolling down a white-graveled walk to the cliff above the ocean, he let his eyes rove aimlessly over the expanse of sea and sand: The icy-looking whitecaps, the blinking, faraway sails of boats, the sweeping, constantly searching gulls. Desolation. Eternal, infinite. Like Dostoevski’s conception of eternity, a fly circling about a privy, the few signs of life only emphasized the loneliness.”
In this quote from Jim Thompson, the narrator describes a scene of desolation and loneliness as they observe the vast expanse of the sea and sand. The use of vivid imagery, such as the icy whitecaps and faraway sails, creates a sense of isolation and emptiness. By comparing this desolate scene to Dostoevski's concept of eternity as a fly circling a privy, the narrator emphasizes the feeling of eternal loneliness and insignificance in the face of nature. This quote captures the melancholic mood and existential themes often found in Thompson's noir fiction.
In this passage from Jim Thompson's work, the narrator reflects on the desolation and infinite loneliness of the environment around him. This theme of isolation and emptiness is a concept that continues to resonate in the modern world, especially in today's fast-paced, technologically-driven society where people may feel disconnected despite being constantly connected. The imagery of the vast ocean and empty beach serves as a reminder of the existential plight that many individuals grapple with in the contemporary world.
In this passage from Jim Thompson's work, the protagonist's contemplation of his surroundings reflects a sense of desolation and loneliness. Thompson's vivid description of the sea, sand, and sky captures the character's emotional state as he grapples with feelings of isolation and insignificance.
Consider the following questions as you reflect on the passage from Jim Thompson's work:
How does Thompson's use of descriptive language, such as "icy-looking whitecaps" and "sweeping, constantly searching gulls," contribute to the overall mood of desolation in the passage?
In what ways does the setting of the cliff above the ocean symbolize a sense of eternal loneliness or isolation?
How does Thompson's reference to Dostoevski's conception of eternity add depth to the passage's exploration of existential themes?
What do you think the fly circling about a privy symbolizes in the context of the larger themes of loneliness and desolation present in the passage?
“Rothman gave me another sharp look, and then he looked down at his desk. 'Lou' he said softly, 'do you know how many days a year an ironworker works? Do you know what his life expectancy is? Did you ever see an old ironworker? Did you ever stop to figure that there's all kinds of dying, but only one way of being dead?”
“He kept his back turned and his eyes closed, feeling no shame or anger but only an increasing sickness of soul.”
“Clinton sighed, and gave up. All his life he had given up. He didn't know why it was like that; why a man who wanted nothing but to live honestly and industriously and usefully - who, briefly, asked only the privileges of giving and helping - had had to compromise and surrender at every turn. But that was the way it had been, and that apparently was the way it was to be.”
“You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.”
“In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.”
“Yeah, Johnnie,’ I said, ‘it’s a screwed up, bitched up world, and I’m afraid it’s going to stay that way. And I’ll tell you why. Because no one, almost no one, sees anything wrong with it. They can’t see that things are screwed up, so they’re not worried about it. What they’re worried about is guys like you.‘They’re worried about guys liking a drink and taking it. Guys getting a piece of tail without paying a preacher for it. Guys who know what makes ’em feel good, and aren’t going to be talked out of the motion … They don’t like you guys, and they crack down on you. And the way it looks to me they’re going to be cracking down harder and harder as time goes on. You ask me why I stick around, knowing the score, and it’s hard to explain. I guess I king of got a foot on both fences, Johnnie. I planted ’em there early and now they’ve taken root, and I can’t move either way and I can’t jump. All I can do is wait until I split. Right down the middle.”