“(D)ialogue is generally the worst choice for exposition. 'When you're writing lines...you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.”

“Just start the sentence...and see what happens. This is how we write.”

“We are so lonely here, with only our loved ones for company. We kill, maim, insult our loved ones, or dream of doing so, to keep from going mad. And then disaster strikes. God, how we love disaster.”

“According to Hannah, real life just happens, whereas stories make sense. When you put real life in print, she says, you show it up for the pointless mess it really is.”

“(T)hey were at ease with each other, which was essential to a productive workshop.”

“(N)ot writing was hard work, almost as hard as writing.”

“Reading was not an escape for her, any more than it is for me. It was an aspect of direct experience. She distinguished, of course, between the fictional world and the real one, in which she had to prepare dinners and so on. Still, for us, the fictional world was an extension of the real, and in no way a substitute for it, or refuge from it. Any more than sleeping is a substitute for waking." (Jincy Willett)”