“Kenneth was a sitting duck. In fewer than three years he would kneel alone in this very room, on the exact spot where he now stood, emptying the contents of his desk into cardboard boxes from the liquor store while his gaunt bitter wife reviled him in the Goldbergs' living room and choked the Goldbergs' big brass ashtray with with unfiltered cigarette butts, and if anyone were then to ask him for the secret of a happy life, he would answer: Stasis.”

“So here is where I am so far, and this is all I know: the world is a big sardine can, and some of us are too agreeable for words. Most of us, really.”

“Reading was not an escape for her, any more than it is for me. It was an aspect of direct experience. She distinguished, of course, between the fictional world and the real one, in which she had to prepare dinners and so on. Still, for us, the fictional world was an extension of the real, and in no way a substitute for it, or refuge from it. Any more than sleeping is a substitute for waking." (Jincy Willett)”

“(D)ialogue is generally the worst choice for exposition. 'When you're writing lines...you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.”

“There were no ordinary human beings. Everybody was born with a surprise inside.”

“(T)hey were at ease with each other, which was essential to a productive workshop.”

“According to Hannah, real life just happens, whereas stories make sense. When you put real life in print, she says, you show it up for the pointless mess it really is.”