“Our heroine knew that the mother would always leave the window open for her children to fly back by; so they stayed away for years and had a lovely time...”

“Think for a minute, darling: in fairy tales it's always the children who have the fine adventures. The mothers have to stay at home and wait for the children to fly in the window.”

“So the Midwest nourishes us [...] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [...]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us.”

“It would not be a good place for the heroine of a modern novel to stay at.  The heroine of a modern novel is always “divinely tall,” and she is ever “drawing herself up to her full height.”  At the “Barley Mow” she would bump her head against the ceiling each time she did this.”

“Love is like quicksilver in the hand. Leave the fingers open and it stays. Clutch it and it darts away.”

“Up home we loved a good storm coming, we’d fly outdoors and run up and down to meet it,” her mother used to say. “We children would run as fast as we could go along the top of that mountain when the wind was blowing, holding our arms right open. The wilder it blew the better we liked it.”