“It occurs to me that we crush insects beneath our feet, miracles of creation too, beetles, worms, cockroaches, ants, in their various ways.”

“He thought of himself not as something heavy that left tracks behind it, but if anything, as a speck upon the surface of an earth too deeply asleep to notice the scratch of ant feet, the rasp of butterfly teeth, the tumbling of dust”

“But it is the knowledge of how contingent my unease is, how dependent on a baby that wails beneath my window one day and does not wail the next, that brings the worst shame to me, the greatest indifference to annihilation. I know somewhat too much; and from this knowledge, once one has been infected, there seems to be no recovering. I ought never to have taken my lantern to see what was going on in the hut by the granary. On the other hand, there was no way, once I had picked up the lantern, for me to put it down again. The knot loops in upon itself; I cannot find the end.”

“It seemed to me that all things were possible on the island, all tyrannies and cruelties, though in small; and if, in despite of what was possible, we lived at peace with another, surely this was proof that certain laws unknown to us held sway, or else that we had been following the promptings of our hearts all this time, and our hearts had not betrayed us.”

“In a world of chance is there a better and a worse? We yield to a stranger's embrace or give ourselves to the waves; for the blink of an eyelid our vigilance relaxes; we are asleep; and when we awake, we have lost the direction of our lives. What are these blinks of an eyelid, against which the only defence is an eternal and inhuman wakefulness? Might they not be the cracks and chinks through which another voice, other voices, speak in our lives? By what right do we close our ears to them?”

“Where civilization entailed the corruption of barbarian virtues and the creation of dependent people, I decided, I was opposed to civilization.”

“A few days ago I heard a performance of the Sibelius fifth symphony. As the closing bars approached, I experienced exactly the large, swelling emotion that the music was written to elicit. What would it have been like, I wondered, to be a Finn in the audience at the first performance of the symphony in Helsinki nearly a century ago, and feel that swell overtake one? The answer: one would have felt proud, proud that one of us could put together such sounds, proud that out of nothing we human beings can make such stuff. Contrast with that one´s feelings of shame that we, our people, have made Guantanamo. Musical creation on the one hand, a machine for inflicting pain and humiliation on the other: the best and the worst that human beings are capable of.”