“She does not reply. She would rather hide her face, and he knows why. Because of the disgrace. Because of the shame. That is what their visitors have achieved; that is what they have done to this confidant, modern young woman. Like a stain the story is spreading across the district. Not her story to spread but theirs: they are its owners. How they put her in her place, how they showed her what a woman was for.”
In this quote from J.M. Coetzee's novel, there is a sense of power dynamics and control at play within the social structure of the district. The young woman's silence and shame indicate the oppressive influence of the visitors and how they are able to manipulate her sense of self-worth and identity. The language used, such as "disgrace" and "shame," highlights the dehumanizing effect of their actions and how they are able to diminish her autonomy. The idea that they view her as something to be owned or controlled reflects a larger theme of societal control and gender expectations within the novel.
In this passage from J.M. Coetzee's work, we see a powerful reflection on the lasting impact of societal norms and expectations on women. The idea of women being put in their place and told what they are meant for is unfortunately still prevalent in modern society. From workplace discrimination to gender-based violence, the struggle for women to assert their autonomy and be treated as equals continues to be a pressing issue. This excerpt serves as a poignant reminder of the need to challenge and dismantle these harmful narratives in order to create a more just and equitable world.
In this passage, J.M. Coetzee explores the impact of societal expectations and pressures on a young woman. The shame and disgrace that the woman feels are not her own, but rather imposed on her by the visitors, who assert their ownership over her story. The power dynamics at play here reflect the wider issues of gender roles and control within the society depicted in the novel.
This passage from J.M. Coetzee's work raises important questions about gender roles, power dynamics, and the impact of societal expectations on individuals. As you reflect on this passage, consider the following questions:
How does the concept of "ownership" play a role in the story depicted in this passage? In what ways do the visitors assert their ownership over the young woman's story and identity?
How does shame and disgrace impact the young woman's response to the visitors' actions? In what ways do societal expectations and judgments shape her sense of self-worth?
How does this passage highlight the ways in which women are marginalized and oppressed in society? What insights does it offer into the power dynamics at play in relationships and communities?
Reflect on the notion of "putting someone in their place" as discussed in the passage. What does this phrase reveal about the visitors' intentions and the broader societal context in which the story is unfolding?
Feel free to explore these questions and delve deeper into the themes and implications of this passage in your own reflections.
“Because a woman's beauty does not belong to her alone. It is a part of the bounty she brings into the world. She has a duty to share it.”
“Lucy was frightened, frightened near to death. Her voice choked, she could not breath, her limbs went numb. "This is not happening", she said to herself as the men forced her down; "it is just a dream, a nightmare". While the men, for their part, drank up her fear, revelled in it, did all they could to hurt her, to menace her, to heighten her terror. "Call your dogs!" they said to her. "Go on, call your dogs! No dogs? Then let us show you dogs!”
“Do you remember Vlek, who was such a good sheepdog that she and Jakob alone could drive a whole flock past you at the counting-post? Do you remember how Vlek grew old and sickly and could not hold down her food, and how there was no one to shoot her but you, and how you went for a walk afterwards because you did not want anyone to see you cry?”
“He even knew the reason why: because enough men had gone off to war saying the time for gardening was when the war was over; whereas there must be men to stay behind and keep gardening alive, or at least the idea of gardening; because once that cord was broken, the earth would grow hard and forget her children. That was why.”
“But it is the knowledge of how contingent my unease is, how dependent on a baby that wails beneath my window one day and does not wail the next, that brings the worst shame to me, the greatest indifference to annihilation. I know somewhat too much; and from this knowledge, once one has been infected, there seems to be no recovering. I ought never to have taken my lantern to see what was going on in the hut by the granary. On the other hand, there was no way, once I had picked up the lantern, for me to put it down again. The knot loops in upon itself; I cannot find the end.”
“he knows too much about himself to subject her to a morning after, when he will be cold, surly, impatient to be alone.”