“...nor can we know ahead of the fact the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaningless itself.”
“We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience.”
“We imagined we knew everything the other thought, even when we did not necessarily want to know it, but in fact, I have come to see, we knew not the smallest fraction of what there was to know.”
“Instead, ourselves the beneficiaries of this kind of benign neglect, we now measure success as the extent to which we manage to keep our children monitored, tethered, tied to us.”
“We tell ourselves stories in order to live...We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience.”
“The French called this time of day 'l'heure bleue.' To the English it was 'the gloaming.' The very word 'gloaming' reverberates, echoes - the gloaming, the glimmer, the glitter, the glisten, the glamour - carrying in its consonants the images of houses shuttering, gardens darkening, grass-lined rivers slipping through the shadows. During the blue nights you think the end of the day will never come. As the blue nights draw to a close (and they will, and they do) you experience an actual chill, an apprehension of illness, at the moment you first notice; the blue light is going, the days are already shortening, the summer is gone... Blue nights are the opposite of the dying of the brightness, but they are also its warning.”
“The objects for which there is no satisfactory resolution… In theory, these mementos serve to bring back the moment. In fact they serve only to make clear how inadequately I appreciated the moment when it was here.”