“It's the injustice that I hate, more than anything," he'd said to Smee one night, his eyes red and glassy, slurring his words, his head lolling as he tried to focus. He'd vomited, and then promptly passed out on a bush. "I hate the world that does not work out fair.”

Jodi Lynn Anderson

Explore This Quote Further

Quote by Jodi Lynn Anderson: “It's the injustice that I hate, more than anythi… - Image 1

Similar quotes

“He tousled Baby's hair, then looked up at Tiger Lily. "The woods have rules." He put Baby down gingerly in his trough with his bottle. "But the rules are ugly.""It's nature," she said, thoughtfully."I have a lot of disagreements with nature," he said, looking confused, and his downy brow wrinkled over his eyes.”


“He even listened to more than her sounds, because Tiger Lily was a girl of few words. He listened with his eyes, watched her facial expressions, judged body language, and therefore read Tiger Lily better than anyone else.”


“There was a long moment between them that might have gone differently. Of all the times I saw the two of them together, this is the picture that is most stamped in my soul. It's the two of them, jumbled up and broken apart into confused pieces, and not really understanding, themselves, what they were doing. "I won't wait for you to change your mind," she finally said, her chin set stubbornly. He bit his lip thoughtfully. "I understand." And to Tiger Lily, he suddenly, inexplicably, seemed older than her, and wiser, and the thought hit her hard that it wasn't fair, because she'd suffered, and there he was, looking like he knew so much more than she ever would.”


“Peter sighed into the water, and his breath sent a small circle of it into tiny ripples. "It seems cowardly, getting old. Don't you think?" She rolled onto her side to look at him, pillowing her ear with her right arm, and letting her fingers dangle in the water beyond her head. "How is it cowardly?"Peter kept his eyes on his reflection. "You just curl up around yourself, and sit by the fire, and try to be comfortable. When you get old, you just get smaller inside, and you try not to pay attention to anything but your blankets and your food and your bed.""Being comfortable is not a bad thing."Peter shrugged and turned his head to look at her as if it was a matter of fact. "Of course it is. Old people lock out all the scary, wild things. It's like they don't exist." She wanted to say that she would have liked for those things not to exist, either, but she held her tongue, because she didn't want to sound like a coward.”


“We should have a funeral," he said.Pan held his hands clasped in a tent on his lap, and he bowed his head.He seemed to be trying to recall something, and it was a long time before he finally said, "Our Father. Our Father. Our Father. Amen."Then he leaned back, and his face was blank again. He smiled, all white teeth. "There.”


“No choice. No coincidence. Pah! We take this train on purpose." Fabbio waved his long arms dismissively. "And what about htis bump in the road?" Fabbio looked out the window. "I see no bump." Pumpkin let out a loud sigh. "'Bump in the road' is an expression." He was wearing a toga he'd found in an abandoned suitcase, tied with a curtain tie. He flounced one tassel around dramatically as he talked, smiling haughtily at Kitty from the corner of his eye. "It doesn't mean a real bump. It means-" Bump "Meay!" Somber Kitty, hissing, bounced against one of the closed windows, then landed on all fours. Pumpkin flew across the table under a cascade of dards; Beatrice and May hurtled off their bench onto the ground; Fabbio tumbled flat against the wall behind him. Scccccccccccccccrrrrrrrrrrrrrrcccccccccccccccchhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh! The train came to a dead halt. A bone-chilling stillness followed. The Bogey. Pumpkin whimpered and zipped under the table. Somber Kitty positioned himself between May and the rear car door. And they all readied themselves for whatever might come through it.”