“When Em and I got back together, I could see that she had never been less than what I'd figured her to be. If anything, she was always better than I remebered. And that what I think love is [...] When your hindsight´s twenty-twenty, and you still wouldn´t change a thing.”

“And that's what I think love is...when your hindsight's twenty-twenty, and you still wouldn't change a thing.”

“I know. You could never hid anything. Your eyes always gave you away. You had the most wonderful eyes I'd ever seen." She lifted her head from his shoulder and looked discretely at him. When she spoke, her voice was barely above a whisper. "I think I loved you more that summer than I ever loved anyone.”

“Eight-and-twenty years,' said I, 'I have lived, and never a ghost have I seen as yet.' The old woman sat staring hard into the fire, her pale eyes wide open. 'Ay,' she broke in; 'and eight-and-twenty years you have lived and never seen the likes of this house, I reckon. There's a many things to see, when one's still but eight-and-twenty.' She swayed her head slowly from side to side. 'A many things to see and sorrow for.' ("The Red Room")”

“I knew by then that I would never have my mother back, not in the way I had known her all my life. When you have seen your mother shattered, there's no putting her back together. There will always be seams, chipped edges, and clumps of dried glue. Even if you could get her to where she looks the same, she will never be stronger than a cracked plate.”

“From then on I had her in my memory with so much clarity that I could do what I wanted with her. I changed the color of her eyes according to my state of mind: the color of water when she woke, the color of syrup when she laughed, the color of light when she was annoyed. I dressed her according to the age and condition that suited my changes of mood: a novice in love at twenty, a parlor whore at forty, the queen of Babylon at seventy, a saint at one hundred.”