“Oliver, we’ve got something to tell you,” Dad says, dumping a cardboard box full of garden waste into a toad green mangler. Unlike the doctor, when Dad says we, he means we because Mum is omnipotent. “Who’s dead?” I ask, shot-putting a bottle of Richebourg. “No one’s dead.” “You’re getting a divorce?” “Oliver.” “Mum’s preggers?” “No, we—” “I’m adopted.” “Oliver! Please, shit up!”

“I spin around on the swivel chair and look up at the ceiling; Oliver being Oliver being Oliver being Oliver. I am suddenly aware of the separation between my-actual-self and myself-as-seen-by-others. Who would win in an arm wrestle? Who is better-looking? Who has the higher IQ?”

“I don't know if I've come of age, but I'm certainly older now. I feel shrunken, as if there's a tiny ancient Oliver Tate inside me operating the levers of a life-size Oliver-shaped shell. A shell on which a decrepit picture show replays the same handful of images. Every night I come to the same place and wait till the sky catches up with my mood. The pattern is set. This is, no doubt, the end.”

“Most people think of themselves as individuals, that there's no one on the planet like them. This thought motivates them to get out of bed, eat food and walk around like nothing's wrong. My name is Oliver Tate.”

“Depression comes in bouts. Like boxing. Dad is in the blue corner.”

“We asked our Welsh teacher, Mr Llewellyn – who is young, to tell us the Welsh sex words. The Welsh word for sex is ‘rhyw’. It sounds like coughing. He said that, in general, Welsh-speakers use English words. When pressed, he gave us a couple of examples to show us why this might be. ‘Llawes goch’ means ‘red sleeve’. ‘Coes fach’ means ‘small leg’. The phrase would be: ‘Put your small leg in my red sleeve’.”

“Are we making a bomb?" "This is a trust exercise, like in drama," she says. "Are we making a bomb as a trust exercise?”