“Jay Maisel always says to bring your camera, ‘cause it’s tough to take a picture without it. Pursuant to the above aforementioned piece of the rule book, subset three, clause A, paragraph four would be…use the camera.Put it to your eye. You never know. There are lots of reasons, some of them even good, to just leave it on your shoulder or in your bag. Wrong lens. Wrong light. Aaahhh, it’s not that great, what am I gonna do with it anyway? I’ll have to put my coffee down. I’ll just delete it later, why bother? Lots of reasons not to take the dive into the eyepiece and once again try to sort out the world into an effective rectangle.It’s almost always worth it to take a look.”

“Emma smacks the back of my head. “It’s just boobs. Even I have a pair. No reason to stare so hard. Put your eyes back in your head.” She grabs my hand, leading me toward the bar . . . and positions me with my back to the stage.“But you’ve never shown me yours. Take your shirt off, and I’ll stare at yours instead.” “You did not just say that.”“Yeah, I think I did.”“Men.” She rolls her eyes.”

“If you put it up, I’ll just take it down again.” His voice lowered to a throaty hum, “And you know what happens when I take your hair down.”

“Whatever this shit is between us it’s always been there and it’s always gonna be there. I’m shit-fuckin’-tired tryin’ to ignore it. I’ll try to do right by you Eva, you’d be the first, but I’ll fuckin’ try my damndest. And baby, true freedom is the open road, the wind on your face and a good woman on the back of your bike holdin’ you tight like you’re her reason for breathin’ because she sure as fuck is yours.”

“Excellent. We keep your furniture. Whose bed?”“Yours.”“Why mine?”“It’s bigger, for one.”“And for another?”“Mine doesn’t have the sort of headboard you can tie someone to. I’ve always sort of wanted to do that.”“Bend over. Now. Take off your pants and bend over. I’ll be done in five minutes. No one will ever know.”

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”