“...a book is actually a place, a place where we, as adults, still have the chance to engage in active imagining, translating word into image, connecting these images to memories, dreams and larger ideas. Television, film, even the stage play, have already been imagined for us, but the book, in whatever form we choose to interact with it, forces us to complete it... The fact that books provide us the place to imagine is critically important, as it is there, in the imagination, that all sense of possibility rests.”

“The more I write, the more I've come to realize that books have a different place in our society than other media. Books are different from television or film because they ask you to finish the project. You have to be actively engaged to read a book. It's more like a blueprint. What it really is, is an opportunity... A book is a place where you're forced to use your imagination. I find it disappointing that you're not being asked to imagine more.”

“Imagination is a place where all the important answers live.”

“In our town there is a secret spot where you can still see the stars at night, believe it or not. It is the only spot like that left, unclouded by the dwindling skyscrapers rising nearby. It is a good place to go to walk and talk in whispers. Following the little hill that rises from the park to a small clearing which overlooks the statue of the armless general on his bronze steed, most of us later remember this spot as the first place we knew we might be in love.”

“His face almost looked the way it did when he was a teenager, when there was the subtle expression of both confidence and mischief in his darkly handsome eyes. When I think of him now, though, I don’t picture his face the way it is. What I see is from a memory, from a moment when he must have been eleven or twelve years old and we were both in our backyard and it was summertime and I was drawing in a coloring book and he was there in the green grass and he didn’t know I was watching him. He was crawling around on all fours; he was practicing being a lion or a tiger or more probably a leopard and he was growling to himself, stalking the shadow of a bird, and he didn’t see me staring at him and I think my mother was there, looking at us from an upstairs window, watching us both and gently smiling, and what I remember most is that all of us were happy then with who we were at that moment; at that moment, all of us were quietly happy.”

“It is what we see when we imagine what the afterlife must be like: our happiest triumphs, our most sincere moments, stolen from the seam of our lives, a respite just before the onset of imminent tragedy.”

“Apples are kissing other apples. Gray cats are kissing other gray cats. Trees are kissing trees. You and I are not kissing. We work in an office together. We are both married to other people. It is okay because we only have ideas, you and I, about whether we should kiss or not. These ideas are both good and bad, probably. At work, we do not say these words aloud but make elaborate diagrams for one another. You write these words: Kissing you would be like this, and draw a picture of two butterflies being struck by lightning. I stare at it and wonder if you may be right. I do my own drawing and write, Kissing you would be like this, and sketch a picture of a man made of ice kissing a woman who is actually a stove. We have made hundreds of these drawings. We do not actually do any work.”