“Finally, she'd given up, basking in the freaking glow of the most amazing experience she'd ever had.[...] Last night had overflowed with magical trappings, perfect timing, everything. That wasn't real. In a real world, Cinderella had to go back to being Cinderella the next day.”

“Peter knew she was afraid. He ached to tell her that she didn't have to do anything, that he'd protect her from everything. Every instance of fear or pain she had tore him apart inside. She'd had months, but it was still new to him. He wanted to grieve with her for what she'd lost, let her know the utter terror he'd felt at the idea of her being gone from his life before she'd really fully entered it.”

“But he saw her and, God, it was exactly like last night. Everything he'd learn about this particular woman would fascinate him; he was sure of it. He'd want to learn more and more. This was real. [...]He'd take anything, even thirty minutes in a coffee shop, but she was running late. So he'd have to treat the next ten minutes as the most important of his life - without scaring the shit out of her.”

“What I have is surface. Grooming, good genetics, whatever. Whether you've rolled out of bed an hour ago without having had a shower for three days, or you're wearing a designer suit, there is a deep, perfect beauty to you that takes my breath away.”

“I held her in my arms last night," he said quietly. "And when I felt her every response, I thought, 'There's nothing else I could ever want.' Whether there's a Heaven or not, it doesn't matter. This…Those moments when she gave me everything were more than I ever hoped Heaven could be.”

“I'm not afraid of you. I'm not afraid of anything." "Yes, you are, on both counts. You're afraid of everything. In England there are castles with stone walls that go up over a hundred feet, built during a time when it was the strength of your fortress that won battles. Each time I look at you, I marvel at the feat of organic engineering that's allowed you to create such a fortification within a perfect composition of female flesh.”

“Because." He leaned forward, his hand slipping up her back to unerringly trace the scar tissue of the design burned there, now concealed under the robe. "Someone drew you wings a long time ago and you've been trying to decide whether to fly away ever since." <…> "And because when I look at you, I think you're a gift from God.”