“My feeling about technique in art is that it has about the same value as technique in lovemaking. That is to say, heartfelt ineptitude has its appeal and so does heartless skill; but what you want is passionate virtuosity.”

“In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.”

“It’s easier and sociabler to talk technique than it is to make art.”

“Articulation! There, by Joe, was MY absolute, if I could be said to have one. At any rate, it is the only thing I can think of about which I ever had, with any frequency at all, the feelings one usually has for one's absolutes. To turn experience into speech - that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it - is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.”

“I admire writers who can make complicated things simple, but my own talent has been to make simple things complicated.”

“Unhappily, things get clearer as we go along. I perceive that I have no body. What's less, I've been speaking of myself without delight or alternative as self-consciousness pure and sour; I declare now that even that isn't true. I'm not aware of myself at all, as far as I know. I don't think. . . I know what I'm talking about.”

“He wishes he had never entered the funhouse. But he has. Then he wishes he were dead. But he's not. Therefore he will construct funhouses for others and be their secret operator -- though he would rather be among the lovers for whom funhouses are designed.”