“That is our ‘pointed task. Love & die.”

“The artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business.”

“We must travel in the direction of our fear.”

“I cry. Evil dissolves, and love, like foam;that love. Prattle of children powers me home,my heart claps like the swan’sunder a frenzy of who love me and who shine.”

“I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business: Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing.”

“Huffy Henry hid the day, unappeasable Henry sulked. I see his point,--a trying to put things over. It was the thought that they thought they could do it made Henry wicked & away. But he should have come out and talked. All the world like a woolen lover once did seem on Henry's side. Then came a departure. Thereafter nothing fell out as it might or ought. I don't see how Henry, pried open for all the world to see, survived. What he has now to say is a long wonder the world can bear & be. Once in a sycamore I was glad all at the top, and I sang. Hard on the land wears the strong sea and empty grows every bed.”

“…Henry is tired of winter,& haircuts, & a squeamish comfy ruin-prone proud national mind, & Spring (in the city so called)Henry likes Fall.Hé would be prepared to líve in a world of Fállfor ever, impenitent Henry.But the snows and summers grieve and dream;These fierce & airy occupations, and love,raved away so many of Henry’s yearsit is a wonder that, with in each handone of his own mad books and all,ancient fires for eyes, his head full& his heart full, he's making ready to move on.”