“Don't bother explaining—I've heard all the excuses and the trouble is most of them are true.”

“True, you’re not a slave. You’re worse off than that by a long, long way. You’re a predatory beast shut up in a cage of which the bars aren’t fixed, solid objects you can gnaw at or in despair batter against with your head until you get punch-drunk and stop worrying. No, those bars are the competing members of your own species, at least as cunning as you on average, forever shifting around so you can’t pin them down, liable to get in your way without the least warning, disorienting your personal environment until you want to grab a gun or an axe and turn mucker.”

“What people want, mainly, is to be told by some plausible authority that what they are already doing is right. I don't know know of a quicker way to become unpopular than to disagree.”

“The walls were chipped and needed paint. The windows were mostly okay but one pane was blocked with cardboard. There were fleas the exterminator couldn't kill and rats that scrabbled in the walls and mice who left droppings like a cocked snook and roaches that thrived on insecticide, even the illegal kinds.”

“Next, the stalled cars had their windows opaqued with a cheap commercial compound used for etching glass, and slogans were painted on their doors. Some were long: THIS VEHICLE IS A DANGER TO LIFE AND LIMB. Many were short: IT STINKS! But the commonest of all was the universally known catchphrase: STOP, YOU'RE KILLING ME!”

“Shit, I forgot. This time of the afternoon the bar's probably shut. Half the staff has gone sick again. Mono, I think. Well, let's go look anyway; we might be lucky. We can't go up to my room--it's full of bugs.'Which kind?'Both.”

“It's supposed to be automatic, but actually you have to push this button. ”