“It was still mild when they walked home from the party, and Irene looked up at the spring stars. "How far that little candle throws its beams," she exclaimed. "So shines a good dead in a naughty world.”

“How far that little candle throws his beams! So shines a good deed in a weary world.”

“Agnes Shay had the true spirit of a maid. Moistened with dishwater and mild eau de cologne, reared in narrow and sunless bedrooms, in back passages, back stairs, laundries, linen closets, and in those servants' halls that remind one of a prison, her soul had grown docile and bleak...Agnes loved the ceremonies of a big house. She drew the curtains in the living room at dark, lighted the candles on the table, and struck the dinner chimes like an eager altar boy. On fine evenings, when she sat on the back porch between the garbage pails and the woodbins, she liked to recall the faces of all the cooks she had known. It made her life seem rich.”

“But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.”

“These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.”

“She perceived vaguely the pitiful corruption of the adult world; how cruel and frail it was, like a worn piece of burlap, patched with stupidities and mistakes, useless and ugly, and yet they never saw its worthlessness.”

“She was his potchke, his fleutchke, his notchke, his motchke, his everything that the speech of St. Botolphs left unexpressed. She was his little, little squirrel.”