“It is only when our characters and events begin to disobey us that they begin to live.”

“You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.”

“Our stereotyping societies force us to feel more alone. They stamp masks on us and isolate out real selves. We all live in two worlds: the old comfortable man-centred world of absolutes and the harsh real world of relatives. The latter, the relativity reality, terrifies us; and isolates and dwarfs us all.”

“Hazard has conditioned us to live in hazard. All our pleasures are dependant upon it. Even though I arrange for a pleasure; and look forward to it, my eventual enjoyment of it is still a matter of hazard. Wherever time passes, there is hazard. You may die before you turn the next page.”

“There is no plan. All is hazard. And the only thing that will preserve us is ourselves.”

“When you draw something it lives and when you photograph it it dies”

“The evolution of human mentality has put us all in vitro now, behind the glass wall of our own ingenuity.”